Europe Jazz Media Chart

Juni 2020


Madli-Liis Parts, Muusika

Maria Faust Sacrum Facere: MOVE, Stunt.

Paweł Brodowski, Jazz Forum

Marcin Wasilewski Trio with Joe Lovano: ARCTIC RIFF, ECM.

The sixth album by the Marcin Wasilewski Trio released on ECM over the past 15 years or so. Making a special guest appearance is the American sax master Joe Lovano. It is their first ever joint recording (they previously met only once, playing together a surprise concert in Poland 13 years ago). Lovano was flown from New York for this spontaneous encounter last August in the French Studio La Buissonne. Producer Manfred Eicher was on hand to personally supervise the recording.
The music on this superb album is replete with subtle lyricism as well as intense energy – loose sketches, filled with spontaneous improvisations and some inspired solo outings by all four musicians. In addition to several pieces by Marcin Wasilewski, there is also one composition penned by Lovano (“On the Other Side”) and two different renditions of Carla Bley’s famous „Vashakar”.  
The Marcin Wasilewski Trio includes, of courses, the leader on piano, Sławomir Kurkiewicz on bass and Michał Miśkiewicz on drums.

Mike Flynn, Jazzwise

Jaga Jazzist: PYRAMID, Brainfeeder.

Anna Filipieva, Jazz.Ru

Sasha Mashin: HAPPY SYNAPSE, PART 1, Rainy Days.

Drummer Sasha Mashin's sophomore effort on St. Petersburg-based Rainy Days label comes in two parts, rather for the comfort of the listener as both parts are heavily laden with the most modern creative mainstream jazz ideas. The heavyweight improvisers team includes the likes of Rosario Giuliani on alto, Benito Gonzalez on piano, and Josh Evans on the trumpet, but it's the muscular tandem of drummer Mashin and bassist Makar Novikov, who not only keep the whole thing afloat, but also propulse its rhythmic drive with a remarkable determination on the verge of self-abandon.

Jan Granlie, salt-peanuts.eu

Kullhammar – Heikinheimo – Meaas Svendsen – Aaltonen: THE FATHER, THE SONS & THE JUNNU, Moserobie.

Finnish saxophonist and flute player Juhani Aaltonen turns 85 on December 12 this year. He was born in Kouvola, Finland, but have been living outside Helsinki in recent years. Hwas educated from both the Sibelius Academy in Helsinki and Berklee in Boston, and he started playing jazz professionally in the 50s and has been a prominent figure in the Finnish jazz community ever since. He has done records with, among others, Arild Andersen and Edvard Vesala, Graham Collier, Iro Haarla, Henrik Otto Donner, Reggie Workman and Andrew Cyrille, the Umo Jazz Orchestra, his own trio and many, many others. The last time we heard him at a concert was during last year's Tampere Jazz Happening, where he played in a quintet with Joe McPhee, and they gave us the best concert of the festival this cold evening in Telaka.
Now he has toured Sweden and Finland with a bunch of young Nordic musicians, which resulted in a recording at the Arabia studio in Helsinki on May 5 last year. And through the 6 compositions we get, all four of them prove their strength in excellent ways, ending up with one of this year's best recordings.
And when they round off thisfabtastic record with Kullhammar's "Suomaleinen Maailmanmestari" (The Finnish World Champion), which is guaranteed to Juhani "Junnu" Aaltonen, who has always been one of Kullhammar's leading stars in the Nordic jazz. This is a slightly heavy ballad, in which Kullhammar exudes the typical in Aaltonen's tenor saxophone, and sets an unusually worthy punctuation for a brilliant record, which is entirely in Aaltonen's spirit, and which should not be placed under K for Kullhammar, or T for The Father, The sons & the Junnu in the record shelves, but under A for Aaltonen. Or not really, the record will not be placed in the shelves at all, at least not the first year. It should be easy to find and be played when I'm in good mood, when I'm having a bad day, or when the day is perfect.

Christine Stephan, JAZZTHETIK

Einstürzende Neubauten, ALLES IN ALLEM, Potomak.

Viktor Bensusan, jazzdergisi.com

Miles Davis: KIND OF BLUE, CBS.

With the passing away of the humble master drummer Jimmy Cobb, the quintessential  jazz album of history has been totally orphaned. In memory of Cobb, this month's album is KIND OF BLUE.

Henning Bolte, Written in Music


Among the numerous attempts of adapting folk music sources this album stands for a new quality. The music stands out by its high energy, deep apprehension and its ingenious, imaginative and engaging re-building creation of the source material Bela Bartók collected and prepared a century ago in Transylvania. Nothing sweet here but rather a wild outbreak of deeper interconnected energies of nature and human communities of that region. No finely weighted outpouring of emulated folk sonorities nor collaged torn shreds of sound immediacy we get but rather the best from both, infused throughout in highly sophisticated ways. Lucian Ban (piano), Mat Maneri (viola) and John Surman (saxophones) are deeply connected to and anchored in the essence of their source from their respective roots and musical personalities. Them joining forces here can be considered as a stroke of luck that led into an extraordinary vivid hour of great music.

Patrik Sandberg, JAZZ

Gary Bartz & Maisha: NIGHT DREAMER DIRECT-TO-DISC SESSIONS, Nightdreamer.

Former Miles Davis sideman saxophonist Gary Bartz teams up with the young British spiritual jazz ensemble Maisha led by drummer Jake Long. This vibrating recording session was  made in Harleem, Nederlands last year. Bartz became an important , leading figure of the early-to-mid 1970s spiritual jazz movement, releasing aground-breaking albums on Prestige Records with his formation NTU Troop, featuring classics such as “Celestial Blues”  and “I’ve Known Rivers”. Bartz definitely brings that vibe he created on those recordings into NIGHT DREAMER.

Cim Meyer, Jazz Special

Edward Simon: SORROWS & TRIUMPHS, Sunnyside.

Lars Mossefinn, Dag og tid

Björn Marius Hegge: HEGGE FEELING, Particular Recordings Collective.

Matthieu Jouan, citizenjazz.com

Ingrid Laubrock & Kris Davis: BLOOD MOON, Intakt.

The music seems to happen so naturally and the sounds stay around for a while, floating.

Axel Stinshoff, Jazz thing

Omer Avital Qantar: NEW YORK PARADOX, Jazz&People.

Luca Vitali, Giornale della Musica

Rava – Herbert – Guidi: FOR MARIO, Accidental.